Is anyone else as curious as I am about the increased level of fascination with apocalypse & global catastrophe taking place in our culture. I’m not talking about doomsday prophets and cable access kooks either. Today’s obsession extends well beyond the religious extreme.
Cable television has shows like, “Life After People,” and the, “Nostradamus Effect,” which deal with the apocalyptic realities of global catastrophe, ancient prophesies, and human extinction. This Friday, “2012″ opens in theaters with several documentaries preceding it this week on various cable channels.
“2012″ is one of several recent films that deals with apocalyptic themes. “2012″ director, Roland Emmerich, also directed “The Day After Tomorrow.” A 2004 film that dealt with apocalyptic themes related to global warming and a catastrophic global weather phenomenon. Other recent apocalypses/post-apocalypses include, “Zombieland,” (2009), “I am Legend” (2007), “War of the Worlds” (2005), and “28 Days Later,” (2002).
Apocalyptic books have been prolific lately as well. I just finished reading the New York Times Best Seller by Max Brooks entitled “World War Z: An Oral History of the Zombie Wars.” A captivating post-apocalyptic collection of interviews with the survivors of a global zombie war. One need only type-in, “apocalyptic fiction,” to the search bar on Amazon to find an infinite list of titles. Many of which have surfaced in the last decade.
Let’s not forget gaming. One of the year’s most popular video games was, “Left 4 Dead.” A post-apocalyptic zombie slaughter where you and 3 others are left to fight your way through various scenarios in search of survivors and safe haven. Hands down one of my favorite games all year.
The current apocalyptic fascination is not unique to history. Its been around as long as cultures have had stories. This has all led to some questions for this blogger. In my own musings about biblical apocalypses, as well as non-biblical ones, I have formed a hunch that I want to set out there for others in this installment of “Gnaw on This.” I believe that at its base level, apocalyptic fascination is a byproduct of the very real death of cultural meta-narratives (defining story or myth). Apocalypse seems to be a symbolic, fictional, and critical way by which a culture grieves the erosion and/or total loss of its story, or key elements of that story. It even carries with it the very seeds of a new narrative’s construction, or at least the hope of a new narrative’s emergence.
I may be over thinking this – that happens a lot. I am curious what your take may be on this. Is the recent fascination with apocalyptic/post-apocalyptic stories related to the death of our “meta-narrative?” If so, what are the elements of the old narrative that are being grieved? What seeds of hope are present? Is the recent fascination with apocalypse telling us our old narratives are dead, and that its time to write new ones?
I am most curious as to the value of apocalyptic storytelling for those of us living in the ruins of the western church. Like the value of parables, could we add apocalypse to the mix? What do you think?
If you haven’t read Bono’s op-ed piece in the New York Times this past Saturday, you can 





Recent Comments